Hats and Children's Literature
There are dozens of children's books where a hat (or hats) plays a  central role in the story. Here's a partial list [see below] -- all of  which are in The Village Hat Shop's "books on hats" collection.

Why are there so many children's books about hats? Those of you who are  regular readers of the HAT BLOG or the "Hat Information and Resources"  section of VillageHatShop.com may have an inkling where I am about to  go. Yes, this is in fact another example of a theme that runs throughout  the blog and the site, i.e. hats matter. Hats are cultural icons. Hats  sit prominently and significantly on the top of one's head. Hats are a  bridge to history. Hats transform the wearer. Hats, as a symbol, can be  simple and complex at the same time. Hats are fun. As an object to  revolve a story around, a hat is a perfect fit. Let's take a smattering  of examples:

Hats as a bridge to learning about history and as a file cabinet for important letters and papers: ABE LINCOLN'S HAT.
Hats as head covering for chemotherapy patients and as an object helping to sustain hope: KATHY'S HATS.
Hat ("Bad Hat" specifically) as metaphor for a person: MADELINE AND THE BAD HAT.
Hat as superhero: THE HAT (Ungerer).
Hat as a valuable item for barter: THE SCARECROWS HAT.
Hat as an eccentric and highly individual fashion statement: MISS HUNNICUTT'S HAT.
Hat as a good luck charm: MY LUCKY HAT.
Hat as an article spurring recall and story telling: MISS FANNIE'S HAT and AUNT FLOSSIE'S HATS (AND CRAB CAKES LATER).
Hat as an old friend and companion and as a metaphor for change: UNCLE NACHO'S HAT/EL SOMBRERO DEL TIO NACHO.

Granted, I am guilty of an a priori bias to infuse headwear with a high  degree of symbolic significance, cache, cultural value, and the like  (I've got to justify my existence somehow for god's sake), and yet who  can argue with its validity? Clearly, writers and artists from Seuss to  Keats to Bemelmans to Scarry et al. who don't share my self-interested  prejudice, still find this relevance in hats.

But, I believe, the proliferation of the hat in children's literature is  more than all this. Parenting in modern America can feel like an out of  control merry-go-round. The drumbeat of media messages to buy the right  toys, infuse your home with the right music [Mozart] so as to promote  brain development, commit to the right "play group", enroll the child in  the right pre-school (that promises to prepare your kid for the Ivy  League), treading through the ubiquitous disingenuity (politicians and  advertisers spinning, lying, and double-speaking) and deciding when and  what to expose your innocent to the modern world, rampant commercialism  (don't buy anything except a hat), war - is it any wonder why a parent  is attracted to a simple story that revolves around a simple honest  object that connotes a simpler time. Hat as nostalgic icon - yes, that  too. But alas, more than nostalgia - for crying out loud, the parent  understandably wants to take her kid off that crazy modern  merry-go-round. The parent has an epiphany -- don't heap all this adult  nonsense and anxiety upon my kid - I'll buy a little book and read  about a hat. This is a good thing to do in our hyper-complex 21st  Century -- it's in fact good for the soul.
 
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